Both Appleman and Beach addressed issues of
teaching literature to adolescents. Why, what, and how we teach literature as
well as why adolescents need to read literature and what they can learn from
reading literature are discussed in both readings. While many points mentioned
in the readings are critical and interesting, making me think about their
connection with my reading of The Catcher
in the Rye, I would like to focus on the discussion of the reader response
lens and perspective-taking.
Reading through the lens of reader response
caught my attention as my first encounter of Louise Rosenblatt, a pioneer of
reader-response theory. Her ideas intrigued me because I was always an
invisible reader as I reflected on my education experience in Taiwan. I remembered
no matter whether it was in my Chinese or English class, teachers interpreted
readings for students, and students had to memorize what teachers impart and
reproduce teachers’ explanations during the tests. Thus, when I read about
Rosenblatt’s conception of reading – efferent reading and aesthetic reading, I
thought that finally there is someone speaking up for readers. However, as I
explored more in the realm of reading and writing, I was baffled.
Why?
With an unexpected opportunity, I read an
essay, Good Readers and Good Writers,
by Vladimir Nabokov, author of Lolita.
In his essay, he likened writers to mountain builders and readers to hikers. As
writers build a mountain via their work, what they wish is that one day they
can meet readers on the top of the mountain. Although writers know that such an
opportunity is rare, once it happens, every effort writers put into creating the
work of art pays off. This totally makes sense for me, for I consider that the
purpose of writing lies in not only telling a story but also having the story
be known, be heard, and be understood.
So, here comes my confusion. On one hand, I
believe readers should have the freedom of interpreting texts on the basis of
their personal experiences. On the other hand, I also believe literature
carries messages that writers try to deliver to their readers. I felt I got
lost in the ideas of scholars, wondering around the forest of reading theories,
not knowing which direction to go.
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| (Source: http://www.theillustratedprofessor.com/?p=1356) |
Questions:
In Beach's reading, it mentioned three learning theories that shaped instructions, and they are transmission theories, student-centered theories, and practice-oriented theories. In transmission theories, teacher modeling ways of interpreting texts has an implication of "correct answer." However, in practice-oriented theories/Socio-cultural learning theory, Beach also talked about the importance of teaching modeling ("I do, you watch; you try, I watch," p. 9). I wonder whether modeling in socio-cultural learning theory also suggests a correct way to interpret texts too.

Yes, what a challenge teachers face when attempting to help students question a text!
ReplyDeleteI had the same question as I read, wondering how much my opinions could influence how students interpret a text. In Sylvia Plath's Mushroom poem I tend to think it's not about mushrooms at all, but about oppressed people. It's hard for me to admit that for someone else, it's simply a poem about mushrooms (yum!).
Ying-- I love your comments about reader-response theory. I also think it is a useful tool, but it's not the only lens that should be used to examine a text.
ReplyDeleteIn terms of your question, sociocultural/practice-oriented theories could possibly favor one interpretation over another. Maybe a way to mitigate this would be to demonstrate how to use a critical lens on one poem, then have students apply the lens to a different poem. This way, students would be practicing the theories, not just relying on the teacher interpretation.
Thanks Ying!